Get yourself a nice cup of tea and curl up with this brilliant chapter from T’ai Smith’s book Bauhaus Weaving Theory: From Feminine Craft to Mode of Design.
The Haptics of Optics: Weaving and Photography
Some thoughts for Thursda... Few need an introduction to Picasso, and fewer still to this powerful statement created as a protest against a conflict of his time, The Spanish Civil War.
CITIZEN CURATOR: Namita G... (by Ann Batchelder) What is the relationship between artist and audience, art and public? How does a creative response to our current place and time in
“Ghosts in the Mach... “Technically the pictures are compiled in Photoshop so that the figures that are falling and the backgrounds are from different places. I’d also thought about combining technology
Who is David Raymond? (by Ann Batchelder) On Sunday morning, April 3, photo+craft offers a rare opportunity to hear David Raymond speak, along with Hedy Fischer and Randy Shull, in an
“This is a Photogra... Sally Mann, Untitled (Self Portraits), ambrotype, 2006-2012 (post by Bridget Conn) In April of 2015, photographic artist Dan Estabrook organized a round-table discussion at Penland School of Crafts
Creating Change: Art and ... (by Ann Batchelder) At photo+craft, the relationship between contemporary art and society will be brought to public attention through several events. Namita Gupta Wiggers‘ Keynote presentation looks at the role
Art and Photography Books... Working with the best. How to Make a Book with Steidl Gerhard Steidl: “I turn everything upside down”
Crafting Images: Eileen N... See more work here: Eileen Neff
Is Instagram Photography? “Owning a pencil does not make one a writer, even though one does write with it. So is there a similar threshold in photography that differentiates
New ways of depicting and... In Asheville, at the Intersection of Photography & Craft (An interview with Fred Ritchin in BURNAWAY – the Voice of Art in the South, by Diana